A Preliminary Study of the Form and Status of Passionate Affection Emoticons
Ting-Ju Lin * and Chien-Hsiung Chen
National Taiwan University of Science and Technology, Taipei, Taiwan
The development of communications technology has provided people with more diverse means for instant communication. Because transmitting text-only messages may not sufficiently express the emotions expressible through face-to-face communications, the design and use of emoticons play a crucial role in instant messaging. In this study, emoticons were divided into three forms (abstract/geometric, personified, and concrete) and two statuses (animated and static). A quantitative investigation and a qualitative focus group discussion were conducted to clarify the effects of the two factors on the usability of the emoticons. The results revealed that the forms of the emoticons were substantially associated with the emoticon status preferred by participants. The quantitative investigation revealed that when the form of an emoticon shifted from abstract/geometric to personified and subsequently to concrete, the status of the emoticon deemed suitable by the users also shifted from static to animated. Furthermore, the qualitative focus group discussion unexpectedly contributed the insight that the participants used particular emoticon forms and statuses in accordance with the timing/intimacy and targets of their conversations. Abstract/geometric and static emoticons were the most frequently applied in polite or emotionally calm conversations; personified emoticons were frequently employed in conversations with familiar people; concrete and animated emoticons were most frequently directed toward intimate people who shared resonating values and a sense of companionship with the participants. This indicated a positive correlation between the moods of users and the form and status, and timing/intimacy, of the emoticons used. In summary, when users select emoticons for use, the forms of the emoticons, the statuses of the emoticons, and the degrees of intimacy and resonance among the users of the emoticons are associated with one another.
Keywords – Emoticon, Form, Animated, Static, Emoticon Performance Model.
Relevance to Design Practice – The findings may offer interface designers who are concerned about user interaction and emotion insights applicable to various situations and target markets. Appropriate interfaces may also enhance comfort and satisfy users.
Citation: Lin, T. J., & Chen, C. H. (2018). A preliminary study of the form and status of passionate affection emoticons. International Journal of Design, 12(2), 75-90.
Received March 20, 2016; Accepted March 2, 2018; Published August 31, 2018.
Copyright: © 2018 Lin & Chen. Copyright for this article is retained by the authors, with first publication rights granted to the International Journal of Design. All journal content, except where otherwise noted, is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License. By virtue of their appearance in this open-access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings.
*Corresponding Author: email@example.com
Ting-Ju Lin is a managing editor of the Journal of Design, and a PhD candidate in the Department of Industrial and Commercial Design at National Taiwan University of Science and Technology (Taiwan Tech). She received an MA from the Institute of Applied Arts at National Chiao Tung University in Taiwan, and studied in the School of Creative Arts at the University of Hertfordshire in the UK. Her interests engage with innovative design, experience design, human factors in interaction design, information/visual design, creative design, and design methods.
Dr. Chien-Hsiung Chen is currently a full-time professor in the Department of Design at National Taiwan University of Science and Technology. His cross-disciplinary research involves human factors in industrial/interaction design, color theories and applications, design languages and representations, design methods and strategies, user experience research and design, user interface design and usability engineering, and design research methodology.
The evolution of communications technology and the rising popularity of related hardware devices have yielded increasingly diverse personal communication methods. Electronically mediated communication is currently one of the most prevalent means of interpersonal communication (Beebe, Beebe, Redmond, Geerinck, & Salem-Wiseman, 2015). In particular, instant messaging (IM) enables people to communicate immediately (Li, 2015) through texts, images, or videos (Amalanathan & Anouncia, 2015), thus strengthening interpersonal relationships.
Internet communication differs drastically from real-world face-to-face communication. Internet communication provides people with more opportunities to communicate with people otherwise inaccessible in real life (Peris et al., 2002). During face-to-face communication, linguistic intonation and nonverbal modes of expression enable people to assess and confirm the connotations of statements; in a digital, nonverbal communication environment in which no such cues can be observed, emoticons are used in dialogs to emphasize emotional manifestations and semantics (Amalanathan & Anouncia, 2015; Hudson et al., 2015).
The overall effect of emoticons is positive. In the emoticon availability task experiment conducted by Rivera, Cooke, and Bauhs (1996), an experimental group of participants was provided with emoticons to select for use in an online chat room, while a control group was not. The results revealed that the members of the experimental group were more satisfied than were the control group members; although the numbers of positive and negative emoticons provided for use in the experiment were nearly equal, the emotional effect of the negative emoticons expressed in the chat room was smaller than that of the negative emotions encountered in face-to-face communications. This verified that emoticons are conducive to emotional communication (Rivera et al., 1996). Emoticons play a crucial role not only in chat rooms, but also in digital teaching.
However, the characteristics of emoticons and the appropriateness of their expressions may vary with individuals (Kurlander, Skelly, & Salesin, 1996; Pesson, 2003; Smith, Farnham, & Drucker, 2002). Numerous studies categorize emoticons according to the types of emotion expressed (Huffaker & Calvert, 2006; Shaikh, Lalingkar, Barach, & Feldman, 2017); few have investigated the composition of visual elements within emoticons. Moreover, many studies on graphic emoticons calculate totals of positive and negative or even neutral sentiments (Bravo-Márquez, Frank, & Pfahringer, 2015; Collins, Hasan, & Ukkusuri, 2013). Studies have indicated that socially powerful users are associated with positive emoticons (Tchokni, Séaghdha, & Quercia, 2014), and have explored how users might be influenced by negative emoticons (Hudson et al., 2015). However, Zhang et al. (2011) state that “sentiment should not be simply classified as positive, negative, and objective” (p. 129). Form and status may transform the representation of sentiments. McDougall, Reppa, Smith, and Playfoot (2009) indicated that the familiarity, complexity, and concreteness of emoticon interfaces influence the performance of emoticon users; emoticon use is not simple. For example, “That’s great!” (enthusiastic) vs. “That’s great.” (sarcastic) (Dresner & Herring, 2010, p. 264). Although the presentation of emoticons is vital (Kim, K., & Kim, 2003), few studies have explored the visual designs of emoticons (Lim, Park, & Hong, 2012). Various emoticons may exhibit differences in their usability in studies of their form and status factors (Jibril & Abdullah, 2013; Kim, M., Shi, & Kim, 2014). Therefore researchers saw a need to focus on graphic emoticons expressing one specific sentiment, and their expressive form and status.
In fact, the methods of reading and employing emoticons can be affected by various factors such as users’ emotions, timing, and imagery (Dresner & Herring, 2010; Lim, Kim, & Watts, 2011). Dresner and Herring maintained that emoticons could serve as an important clue by which to examine relationships between individuals. Most studies on emoticons have focused on relationships between Internet users and their friends, families, and the opposite sex (Fullwood, Orchard, & Floyd, 2013; Nishimura, 2015; Oleszkiewicz et al., 2017). Fullwood et al. also mentioned that the emoticons and default moods used in Internet communication vary with each user. Moreover, investigation of emoticon usage including attitudes or intentions could help develop understanding of human behavior (Chen & Siu, 2017; Kaye, Malone, & Wall, 2017). However, previous emoticon studies have not offered additional insights (Dresner & Herring, 2010) and researchers have called for research related to emoticons, social relationships, and intimacy (Kaye et al., 2017; Lee, Hong, Kim, Oh, & Lee, 2016).
This preliminary study involves a quantitative and qualitative exploration of the usability of and motives behind existing emoticons according to the forms and statuses of their visual elements. The key topics are the effectiveness of, motivation for usage of, and preference for emoticons, as well as the connections between emoticons’ visual elements and users’ interpersonal relationships.
The word emoticon is a portmanteau of emotion and icon (Dresner & Herring, 2010; Kasper-Fuehrera & Ashkanasy, 2001). Emoticons were proposed as messages composed of ASCII characters for use on the Internet by Scott Fahlman in 1982 (Tomić, Martinez, & Vrbanec, 2013). In the late 1990s, colorful graphics-based emoticons called emojis were created in Japan for the mobile chat environment (Pavalanathan & Eisenstein, 2015) and they are by now used by up to 92% of the online population (Kaye et al., 2017). As technology and social media have become more mature and popular, the use of online chat environments with graphic emoticons, such as WeChat, Facebook, and LINE has undeniably become overwhelming (Belair-Gagnon, Agur, & Frisch, 2016; Tang & Hew, 2017; Zhang et al., 2011).
Emoticons and Form
Bays (2010) observed that the use of emoticons is a type of synthetic language construct profoundly influenced by visual representations. Beardon (1994) noted that numerous studies on icons have focused on the abstract/geometric and specific forms of icons. Yuasa, Saito, and Mukawa (2006) categorized the iconic forms of smiley faces based on two extreme points, namely abstract/geometric and photorealistic. Because abstract/geometric images are typically composed of simple geometric elements, some studies have generalized abstract and geometric characteristics as being one category (Liu & Sun, 2007; McDougall et al., 2009). However, emoticons also contain plentiful personified forms (Innocent, 2001; Kim, M. et al., 2014). Personified forms involve expressing human nature and are intermediate between abstract/geometric forms and photorealistic forms (Blom & Monk, 2001). Specifically, the emoticons in this study were divided into three forms of external expression, namely abstract and geometric, personified, and photorealistic. Abstract/geometric forms involve simple iconic forms such as circles and squares. Photorealistic forms resemble specific appearances commonly observed in daily living. Personified forms, which are intermediate between abstract/geometric forms and photorealistic forms, involve the use of the forms of organic beings, such as animals and plants, given emotional indicators.
As indicated in cognitive studies, understanding abstract/geometric icons typically requires learning and accumulated experience; consequently, greater abilities of concentration, recollection, and organization are required than for understanding concrete icons. Learned abstract/geometric icons potentially require less cognitive load than do photorealistic icons (Kolb & Fry, 1975; Wiemer-Hastings & Xu, 2005). However, because new emoticons are being continually created and demanded (Ruan, 2011), a considerably high percentage of abstract/geometric icons are still unfamiliar icons for users. Conversely, photorealistic icons are recognized through their external manifestations of real objects experienced in daily living. Therefore, of all the listed types of icons, photorealistic icons are the easiest to recognize upon exposure (McDougall et al., 2009). Moreover, photorealistic facial expressions increase the senses of pleasure and familiarity in users when displayed on computer screens (Yamashita, Eibo, Ichimura, & Mera, 2011). Numerous studies (McDougall et al., 2009; Patel, Pilato, & Roy, 2004; Schröder & Ziefle, 2008) have indicated that photorealistic icons exhibit greater usability than do abstract/geometric icons, and simple and photorealistic icons are the easiest to recognize (Forsythe, 2009). McDougall et al. (2009) further maintained that the aforementioned results may be related to the memory and cognitive performance of users.
Typically, although photorealistic and simple icons theoretically exhibit the most satisfactory usability, the applicability of emoticons is affected by the context of interactions; therefore, the preferences, usage motivation, and practices of users, as well as the relationships and conversations between speakers, must be further examined. Although abstract thinking may increase cognitive load (Paas & van Merriënboer, 1994), it is widely popular among Internet users because it occasionally enables imagination (Kolb & Fry, 1975; Moreno, Ozogul, & Reisslein, 2011). Mirenda (2003) suggested that icons should be designed in accordance with iconicity to maximize their usability. However, emoticon selection and usage may not only be affected by cognitive load. According to the model theory of the factors influencing icon interpretation, as proposed by McDougall and Curry (2007), users’ preferences and icon purchases are associated with the cognitive characteristics of icons for users. Isherwood (2009) reported that the interpretations of emoticon interfaces by designers and users may differ from each other because of the difference in their roles. Emoticon users consider not only the usability of emoticons, but also the concurrent attitudes and motivations of the users themselves (Dresner & Herring, 2010). For example, winking emoticons are more frequently used by chatters without profile photos than by those with them because these emoticons are fancier and more attractive (Fullwood et al., 2013). Wolf (2000) reported that women’s groups tend to use numerous emoticons in discussing humorous topics and to mock men with satirical images. Socially powerful users are associated with positive emoticons (Tchokni et al., 2014). Emoticon usage reveals the evaluative disclosure of individuals and their linguistic styles in social interactions (Fullwood et al., 2013; Hu, Wood, Smith, & Westbrook, 2006). In summary, emoticon selection and usage reflect the modes of users’ behaviors and interpersonal relationships (Fullwood et al., 2013). This is one of the greatest differences between emoticons and other functional interface icons.
Emoticons and Status
Technological interfaces can be explored through the characteristics of their animated or static status (Van den Bergh & Coninx, 2005). Veszelszki (2005) and Xu, Yi, and Xu (2007) have also categorized emoticons on the basis of their animated or static status in their discussions. Furthermore, Jibril and Abdullah (2013) observed that emoticons exhibit not only static facial expressions, but also animated and other visual changes. Therefore, in addition to the three types of visual forms of emoticons, the prevalent animated and static statuses are also discussed in the present study.
In studying the animated status of emoticons, Wang, Prendinger, and Igarashi (2004) explored the emotional effects of emoticons attained by adding text compositions to their animated elements. The experiment revealed that the animated status enabled more immediate expression of emotions and triggering of user feedback. Xu et al. (2007) indicated that animated statuses are more vivid and closer to real-life interactions than are static statuses. Harmon et al. (2014) and Fujisawa, Inoue, Yamana, and Hayashi, (2011) have maintained that animated expressions strengthen the connotations of emoticon status. Schlosser et al. (2012) reported that animated expressions outperformed static expressions in verb icon evaluation. Additionally, animated expressions provide more information than static expressions, such as temporal elements (Lee, Jun, Forlizzi, & Hudson, 2006); occasionally, such diverse expressions reduce the requirement for explanation (Kennedy, 1974). In addition to usage performance, animated status may enhance the likeability of emoticons for users (van der Meer et al., 2012). Lo and Leung (2009) reported that users may use various levels of emoticon status to express their detailed emotions and thereby achieve more enjoyment through Internet communication.
Animated statuses are not absolutely superior; static statuses also have advantages (Cook, 2006; Harmon et al., 2014). Static statuses require less perception time and currently cost less than animated statuses (Dindar, Kabakçı Yurdakul, & Dönmez, 2014). Additionally, animated, highly informative activities may sometimes cause more mental workload for users than static status may (Hasler, Kersten, & Sweller, 2007) and distract their readers (Xu et al., 2007). The usability of emoticons with animated, static, and various other statuses needs to be investigated (Xu et al., 2007) and involves not only their efficiency, efficacy, and preferability, but also their mutual relationships with the mental workload of their users (Lund & Light, 2006).
This was a preliminary study on the forms and statuses of emoticons. To clarify the usability of the emoticons and the motives for their usage, a statistical survey was conducted to acquire quantified feedback, and a qualitative study was performed to further explore the motivations and preferences of users in selecting emoticons and to further understand the realistic details of the emoticons, in the hope of generating more thorough research findings. According to Fullwood et al. (2013), qualitatively investigating the motivations of emoticon users enables one to truly understand the reasons for their emoticon usage. Hu et al. (2006) maintained that content analysis must be conducted to further understand the true characteristics of intimacy in instant messaging. A focus group discussion is a method organized with semi-structured interview questions with a group of 6–12 participants (Robert Wood Johnson Foundation, n.d.; Tobacco Technical Assistance Consortium, n.d.; Wong, 2008). It offers the following advantages: (a) the discussion enables interaction and sharing among participants, thereby enabling researchers to gather realistic data; (b) the flexibility of the discussion enables researchers to repeatedly inquire into and understand the details and claims of the participants; and (c) the researchers can immediately formulate conclusions and verify them with the participants. These advantages fitted the purpose of this study: to clarify the experience of emoticon users. Therefore, the qualitative research was conducted through a focus group discussion and a subsequent generalization of the content it yielded.
Previous studies have indicated that university students are the largest cohort (Baron, 2004; Jia & Chen, 2016) who contribute considerably to IM research; these students are familiar with the use of Internet devices to deliver messages to various groups and establish interpersonal relationships (Hu et al., 2006; Pettijohn, LaPiene, Pettijohn, & Horting, 2012). Numerous participants in emoticon studies have been aged close to the average university student age. For example, the participants gathered by Leung (2004) were aged 16–24 years; the participants gathered by Whitty and Gavin (2001) had an average age of 23 years; and the participants gathered by Hu et al. (2006) had an average age of 21.50 years. Accordingly, the participants in this study were university students. Forty-two subjects (age 18–22, 22 male, 20 female) were recruited from a university in northern Taiwan. These students had no teacher–student relationships or interests with the researchers; thus the realism and accuracy of the research results were enhanced. In addition, panelists who had actively shared their opinions on emoticon usage with other people were invited into the focus group discussion.
Phase I: Experiment
Studies have indicated that emoticons can be categorized according to the types of emotion they convey. Different emoticons may exhibit differences in their usability in studies of their form and status factors (Jibril & Abdullah, 2013; Kim, M. et al., 2014). Moreover, interpersonal relationships can be examined through emoticon usage (Hu et al., 2006). In particular, love is a communication variable that can be used to detect interpersonal relationships (Kolodny, 2003), and therefore emoticons expressing love may be useful objects to focus on (Roberts, Roach, Johnson, Guthrie, & Harabagiu, 2012; Smith, Masthoff, & Tintarev, 2016). Therefore, a within-subject preliminary emoticon usability study was conducted on love emoticons involving three forms (abstract/geometric, personified, and concrete) and two statuses (animated and static).
A heuristic evaluation was conducted in the pretest. Heuristic evaluation is a usability method that is used before experiments and can help two or more specialists determine interface problems and related issues (Kumar & Hussein, 2014; Lambeck, Müller, Fohrholz, & Leyh, 2014; Neto & Campos, 2014; Reynaga, Chiasson, & Oorschot, 2015). Three experts with a minimum of five years of experience (Dimitrova, Sharp, & Kingdom, 2001; Gkouskos & Chen, 2012) in studying human–computer interactions categorized love emoticons in a simulated chat room into three types of forms, namely abstract/geometric, personified, and concrete. From each form, six love emoticon animations were selected. Subsequently, the most representative emoticon of each form was selected by the pretest participants as the three forms of animated emoticons to be used in the experiment. To control style and content manifestation, the most representative grids of the animated icons were employed as the basis of the static icons, as shown in Figure 1. The forms from left to middle to right are respectively abstract/geometric, personified, and concrete. Research has stated that color is a variable that can affect interface performance (Douglas & Kirkpatrick, 1999; Zhou, Xue, & Liu, 2016). Therefore, all the emoticons were presented in black and white to eliminate any potential distraction by the color variables at this stage.
The six stimuli were presented to the 42 experiment participants on a computer screen. To improve the realism of the context, the background environment of the emoticon browsing window was represented as a chat room window. To reduce environmental interference, the usability of the emoticons was examined through written assessments.
All the participants were requested to browse the six representative love emoticons involving three forms and two status levels. The participants performed a written assessment on each of the emoticons that they browsed. The assessment concerned three dimensions of usability, namely the effectiveness of, motivation for usage of, and preference for the emoticons. The essential function of an emoticon is to convey messages effectively (Boia, Faltings, Musat, & Pu, 2013; Wang, 2015). Secondly, the emoticon should motivate its usage (Cao & Ye, 2009; McDougald, Carpenter, & Mayhorn, 2011). Users are satisfied not only with successful communication, but also with joyful conversation (Huang, Yen, & Zhang, 2008). Accordingly, investigation into preferences is required (Dunlap et al., 2014; Hsiao & Hsieh, 2014).
These three dimensions with three forms by two statuses were evaluated using 18 questions and a 7-point Likert scale. (The 7-point Likert scale was shown to participants with disagree to agree as -3 to 3 and was calculated with 1 to 7 points. 7 = most strongly agree; 1 = most strongly disagree. The questionnaire is summarized in the appendix.) The participants could voice any question or opinion during the experimental phase.
Effectiveness: The extent to which this emoticon enhances the participant’s emotional imagery.
Usage motivation: The extent of the participant’s intention to use this emoticon.
Preference: The extent of the participant’s preference for this emoticon.
In addition to the aforementioned three usability dimensions, the experience and practices of the participants regarding using the emoticons were further examined. The participants were requested to evaluate the following six questions regarding the six representative emoticons, and emoticons in general, through a 7-point Likert scale: “Do you like to use the emoticon?” “Do you like to see this emoticon?” “Are you adept at using this emoticon?” “Does this emoticon enhance emotional expression?” “Do you save new emoticons?” and “Do you frequently switch among the emoticons that you use?” In this way, consistency among the participants’ active usage intention, execution, passive reception, perceived effectiveness, and preference regarding the emoticons was clarified. Through the dimension of preference, it was confirmed whether the use and cognition of the emoticons by the participants were for long-term learning and usage or short-term purposes.
Phase II: Focus Group Discussion
The focus group discussion was conducted with eight students (age 22–24, four male, four female) recruited from a university in northern Taiwan. All the students had IM experience. Phase I participants were excluded from recruitment. The discussion employed semi-structured questions in a set environment (comfortable, circle setting, tape recorded; Krueger, 2002). First, the researchers presented the participants with papers containing a description of the research and the purpose of the experiment, along with the semi-structured questions, and provided pens. Next, the researchers explained the objectives of the research and started to put the questions. To obtain more open feedback and suggestions, the 5W1H (who, what, where, when, why, how) questioning formula was employed to elicit the details of the participants’ experience of and feelings about using the emoticons. Moreover, all participants were encouraged to discuss and exchange thoughts with each other until the discussion generated conclusions.
The researchers had to ensure that the discussion adhered to the scope of the study, and enable the participants to review the discussion content and verify the completeness of their contributions to the research when brainstorming. To gather a broad scope of data and verify the results of the first phase, the core of the semi-structured questions did not focus on the emoticons for any particular emotion.
The semi-structured questions put in the focus group were as follows:
- (a) Experience: What were your satisfactory and unsatisfactory experiences of using the emoticons in the chat room?
- (b) Form: Why do you like or dislike the emoticon and its form?
- (c) Status: How did you feel about using the animated and static emoticons in texts?
- (d) Suggestions: Please provide any suggestions and supplementary opinions you have.
During the discussion process, certain participants might offer opinions actively and the researchers would continuously question the others to confirm agreement on each point. Where there was divergence, the researchers would dig into the reasons behind it by repeating 5W1H questions and lead the participants to clarify their statements and consensus. On the other hand, there would be no consensus if there was no common ground or the opinions were opposite. The discussion data included the notes made by the participants and audio records; a content and axial inductive analysis was conducted on these data.
Phase I: Statistical Analysis
A total of 42 participants returned valid responses to the questionnaire survey. IBM SPSS Statistics was employed for 2-way analysis of variance to analyze the six incorporated emoticons involving three forms (abstract/geometric, personified, and concrete) and two statuses (static and animated). The analyses on the effectiveness of, motivation for usage of, and preferences for the love emoticons as well as the relationships among the aforementioned six dimensions are presented as follows:
Tables 1 and 2 list the analyses of the effectiveness of the six emoticons involving three forms and two statuses. While the differences in effectiveness between the statuses and forms were statistically insignificant, the interaction between the statuses and the forms was significant (F = 5.139, p = .008 < .05).
The interaction is displayed in Table 2 and Figure 2. The participants indicated that the animated and personified emoticon enhanced emotional expression the most significantly; conversely, the static and concrete emoticon enhanced emotional expression the least significantly.
Generally, regarding the personified emoticons, both the animated and static emoticons were considered capable of effectively conveying emotions. Regarding the abstract/geometric emoticons, the static emoticon was considered as conveying emotions more effectively than the animated one. For the concrete emoticons, the animated one conveyed emotions more effectively than the static one.
Regarding the usage motivation for the love emoticons involving three forms and two statuses, according to the post-hoc least significant differences as listed in Tables 3, 4, and 5, the primary effects of the forms were significant (F = 7.046, p = .002 < .05). Overall, the usage intention for the personified emoticons was the highest; those for the abstract/geometric and concrete emoticons were not significantly different.
A significant interaction was observed between the statuses and the forms regarding usage intention (F = 3.980, p = .022 < .05). As indicated in the interaction chart shown in Figure 3, the participants displayed the highest intention to use the abstract/geometric and static emoticons; conversely, the participants showed the lowest intention to use the concrete and static emoticons. Overall, both the animated and the static personified emoticons were associated with high usage motivation in the participants.
Regarding the preferences of the participants for the different love emoticons, the post-hoc least significant differences as listed in Tables 5, 6, and 7 reveal that the main effects of the three forms were significant (F = 9.851, p = < .05). Overall, the personified emoticons were the most preferred by the participants; the abstract/geometric emoticons were considerably less preferred; and the concrete emoticons were the least preferred.
A significant interaction was observed between the two statuses and the three forms regarding preference (F = 15.141, p < .05). As indicated in the interaction chart in Figure 4, both the animated and static personified emoticons were considerably and equally preferred by the participants. Regarding the abstract/geometric emoticons, the static one was more preferred than the animated one. Conversely, regarding the concrete emoticons, the animated one was more preferred than the static one.
Correlation of Effectiveness, Usage Motivation, and Preference
The aforementioned analysis on the effectiveness of, motivation for usage of, and preference for the emoticons showed that the primary effects of the activities were not significant; that of the personified form was the optimal and least significant among the three forms. However, a consistent correlation was observed among these three dimensions. A Pearson analysis was conducted to identify the correlation, as shown in Table 7. The results indicate that the effectiveness of, motivation for usage of, and preference for the emoticons as indicated by the participants were positively associated with one another.
Phase II: Focus Group Discussion Analysis
The focus group discussion involved a total of eight participants experienced in using emoticons. All the participants actively brainstormed on and shared with each other their motivations, feelings, and suggestions for using the emoticons. Moreover, the eight participants themselves reached a consensus after discussion. The recorded data were repeatedly verified by the participants for an accurate, agreed conclusion. For example, when the researchers asked all the participants, “Why do you think abstract or geometric emoticons are in common use?” Participant 1 responded, “Abstract or geometric emoticons can be found in most chat rooms.” Participant 4 supported this opinion, saying, “I agree. It’s the normal and basic emoticon.” Participant 5 also confirmed the experience, saying, “I think everyone has used the abstract or geometric ones.” When other participants expressed agreement with nods, the researchers checked and confirmed the agreement and recorded the conclusion of this section as “abstract/geometric emoticon is the basic form.” All the consensuses are shown in Table 8.
1-1 basic; 1-2 simple to use; 1-3 frequently used in conversations with unfamiliar people; 1-4 frequently used for greetings or introductions; 1-5 static emoticon preferred, and animation not required to understand the emoticons; 1-6 animated emoticon slightly complicated; 1-7 static emoticon preferred for communications with unfamiliar people, and the animated emoticon considered as too enthusiastic
2-1 interesting; 2-2 collection intended; 2-3 frequently used for enthusiastic conversations; 2-4 plenty of emoticons with personified animals, and both animated and static emoticons frequently used; 2-5 numerous static emoticons considered as adorable and frequently used; 2-6 animated emoticons considered as lively
3-1 static emoticon considered as similar to a photo; 3-2 most emoticons considered as uninteresting; 3-3 small animations or films required to be interesting; 3-4 relatively effective only when used in conversations with familiar people or groups discussing certain topics
Analyzing the discussion revealed the interaction between the participants’ levels of usage of the three emoticon forms and of the two emoticon statuses. Unexpectedly, the participants’ motivations for using the emoticons were found to vary in accordance with their situations and senses of intimacy. The analysis is summarized in Table 8 and as follows:
- (a) Use of the abstract/geometric emoticons: the static icons were preferred; typically used for polite greetings and non-intimate relationships.
- (b) Use of the personified emoticons: the animated and static icons were equally preferred; typically used for lively greetings and intimate relationships.
- (c) Use of the concrete emoticons: the animated icons were more preferred; typically used for familiar, frequent intimate interactions, and specific groups or individuals with whom the participants had strong senses of companionship.
The quantitative investigation in Phase I revealed that the three dimensions of effectiveness, usage motivation, and preference were positively correlated with one another, and all the degrees of interaction between the statuses and forms were equal. The determined concepts of the interactions are described as follows: (a) The abstract/geometric emoticons were ideally expressed in static forms. Both abstract/geometric and animated emoticons caused higher mental workload for their readers than did static ones (Kolb & Fry, 1975; Wiemer-Hastings & Xu, 2005). Combining the two types of emoticons increased the difficulty and mental workload for users in reading the emoticons. Therefore, the participants indicated that employing this combination did not enable effectively expressing emotions, and the usage motivation and preference for the combination were low. (b) The concrete emoticons were ideally expressed in animated forms. The participants were able to recognize the concrete icons easily (McDougall et al., 2009; Patel, Pilato, & Roy, 2004; Schröder & Ziefle, 2008), and expressing these emoticons in static forms was considered uninteresting. When expressed in animated forms, the emotional manifestation of these concrete emoticons was enhanced. (c) Overall, the personified emoticons were the most popular emoticons among the participants; both the animated and static forms were strongly positively evaluated by the participants. This may be because emoticons are used to express human emotions, and this purpose corresponds with personified emoticons, which are primarily designed to express human nature (Blom & Monk, 2001). Accordingly, with the personified emoticons as the standard reference point, the emoticons with more abstract/geometric forms were better presented in static forms, and those with more concrete forms were better presented in animated forms. Specifically, the concrete emoticons were ideal for use as animated emoticons in addition to the personified ones, and the abstract/geometric emoticons were ideal for use as static emoticons in addition to the personified ones. Thus, the mental workload of the participants regarding the forms and statuses of the emoticons could be balanced.
The focus group discussion analysis performed in Phase II revealed that the general experience and opinions of the participants regarding the use of the emoticons involving the three forms and two statuses were consistent with those regarding the use of the love emoticons as the stimuli in Phase I. This further confirmed the analysis results of Phase I. Moreover, the participants indicated that they selected the forms and statuses of the emoticons to use according to the context and the people they conversed with. The abstract/geometric emoticons were typically used in static forms and in conversations with unfamiliar people for politeness and decorum, consistent with the relatively calm moods of the participants. In studying the animated and static statuses of emoticons, Visch and Goudbeek (2009) indicated that emoticons for sadness are typically expressed in static forms, thus indirectly reflecting the relationship between the status of emoticons and the melancholic moods of their users. In this study, the personified emoticons were typically used in lively conversations and for expressing earnest feelings. Regardless of their status, these emoticons were used if their visual manifestations were interesting; thus, their use was consistent with the energetic mood of their users. The concrete emoticons were typically chosen in the forms of small movies or photo series. These emoticons were used to express specific themes from real life. Accordingly, these concrete emoticons were commonly used in conversations with familiar individuals or discussion groups. These animated expressions were consistent with the familiarity between their users and the targets of their conversations. This also corresponds with the argument by Maynard, Bontcheva, and Rout (2012), whereby the motions of animated emoticons correspond with the social characteristics and intended semantics of individuals. The group discussion analysis confirmed the compositions of the visual elements of the emoticons and the axes of timing/intimacy relationships. Hu et al. (2006) reported that the intimacy hidden within interpersonal relationships can only be understood by analyzing transmitted IMs.
We found that the emoticons in this study exhibited an index that had the personified forms as the standard and extended toward the abstract/geometric and concrete forms, which corresponded with the static and animated statuses, respectively. As verified in the focus group discussion, the relationship between the targets of emoticon transmission and intimacy in conversations corresponded with these two axes as shown in the emoticon performance model in Figure 5. The more polite, distant, and non-intimate a conversation was, the more abstract/geometric and static the emoticons involved became. Conversely, in conversations with greater resonances among participants toward specific topics, and in groups with greater senses of companionship, and thus higher intimacy, more concrete and animated emoticons would be employed. In addition to the relationship between the visual elements of emoticons and the mental workload of users, the consistency of the relationship with the intimacy and moods of users in conversations was verified. This corresponds with the suggestion by Hu et al. (2006) that the social intimacy level in IMs must be further examined.
Regarding the analysis of the emoticon usage experiences and practices of the participants, the participants’ low preference toward old emoticons and high expectations toward new ones correspond with the argument by Ruan (2011) that because new emoticons are continually created and demanded, the research and application of emoticons still primarily involves short-term cognition. This is different from other interface applications for which long-term cognitive learning is required.
With the prevalence and development of IM software, graphic emoticons are frequently applied in chat rooms. Although emoticons cannot be simply categorized as having abstract/geometric, personified, or concrete forms (some emoticons are intermediate between abstract/geometric and personified or between personified and concrete), this study provided a trend indicator on the correspondence between the visual forms of emoticons and their statuses. In addition, the relationship with the interpersonal intimacy axes in this model was identified by the focus group results. The more polite, distant, and non-intimate an interpersonal conversation was, the more abstract/geometric and static the emoticons used became. The main concern with fun and enthusiasm is associated with personified forms. Conversely, in conversations with greater resonances among participants toward specific topics, and in groups with greater senses of companionship, and thus higher intimacy, more concrete and animated emoticons would be employed. The results of this study provide a reference to emoticon designers for the animated and static statuses corresponding to the forms in emoticon designs. Thus, designers can focus on developing emoticons that exhibit positive usability and facilitate users’ ideal usage practices in accordance with the attributes of IM users.
Limitations and Future Research
This study focused on emoticon usage in instant messaging and may differ from the text-assisted communications in emails and other means of Internet communication. This study explored the use of love emoticons for expressing positive emotions in Phase I and qualitatively examined the use of emoticons through interviews and verifications. However, additional studies should be conducted on other emoticons that manifest positive emotions to confirm the applicability of the form–status model. In addition, there is a need to investigate the use of negative emoticons in future studies. Colors are one of the visual elements in emoticons; now that the applicability of the aforementioned emotion categories used in the model has been confirmed, the real color variable should be included in future studies. Examining the cultural backgrounds of emoticon users can also contribute to a more comprehensive study on the visual elements of emoticons.
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